John Moses
Graham Greene’s “worst horror”: Adapting to the Conventional Ending
October 2011
Hollywood Comes Home from War
January 2010
“Miracle of Rare Device”: The British Romantics in Film
December 2009
John Moses’ top films of 2008
January 2009
Fresno Filmmakers Beware
January 2007
Art House Redux
‘Emmett Till’ in Context: Notes on African-American Cinema
February 2006
Closely Watched Films: The Czech New Wave
July 2005
Filmworks: Three Years and Counting
March 2005
“That’s Armenia”
December 2004
Hollywood in the UK: The Battle for British Screens
September 2004
The Enduring Power of Film Noir
July 2004
Playing with Time
April 2004
Asia’s Newest “New Wave”
November 2003
Film Literacy
September 2003
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Jim Piper
January’s film shows how planning can humanize once oppressive city living
January 2012
Mystery of the troubled soul exhibited in our December 9 film, Take Shelter
December 2011
Irresistible Brendan Gleeson, in an Irish “bad” cop comedy
October 2011
Do opposites attract? They do in our September film, The Names of Love
September 2011
Terri, an outsider film, is our August 12 offering
August 2011
Multilayered, Oscar-winning Danish film is our June 10 offering
June 2011
Certified Copy, a metaphysical journey of art and love
May 2011
Film Festivals: A Time for Loving the Medium
March 2011
Short Films
March 2011
Made in Dagenham—a spirited film about women’s rights, as workers and human beings
February 2011
January’s film Waste Land is a treasure of art and dignity
January 2011
The Great Democratization of the Short Film
February 2010
Buried Cinema: Films from Palestine
December 2009
Thoughts on “Pop Culture”
November 2009
Off-Beat and Small-Scale Political Comedy Films
October 2009
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